Sean Wiebe
CANADA
Sean Wiebe, educator and writer, lives in Vancouver 
and is completing a doctoral degree which explores 
what it means to live and teach poetically. His papers 
and poetry appear in a variety of journals and book 
chapters in the areas of the arts, teacher education 
and curriculum studies. Recent work has appeared or 
is forthcoming in Blue Skies, Standards, The Windsor 
Review, and Arabesques. He has edited two collections 
of poetry, The Last Red Smartie (1996) and 
A Nocturnal Reverie (1994). 
Walking on Water
We still hope that love will prevail.
~hooks, 2000, xxvii.
On the beach below Point Grey road, the unspoiled
mist is sacred music, moist torpor,

a shared plenty for city mariners lured by the Pacific
pan flutes. Down worn stones as steps,

not so rugged now, I deepen toward salted shores
whose mystery I muse in, a quiet music.

Graceful sky winds wind up the leaves, trails of whatever
my imagination can charm in a moment.

This rain—greyish and hospitable—grooms the loose gravel
passageways, long-time lovers

in rubbers avoid puddles, their artists and angels
loving how water thrives on what is

decided, set down in stone. In fall, bare trees, bent branches
through every cold share the many slants

of plenty, bosoms cradled by the tide’s sense of swing
and sway, like walking on water

or tracing out the womb blossoms on one’s palm.
Washing its way up the shore

scarred wood invites wanting coffee table time,
organic tea, seaweed coasters,

cozy home grown memories, knit mittens, a woollen
waist adorned with handmade time.

For all this, I am here in hope only that you will walk
by me, and in wind swept motion,

my heart will tumble toward the island evening
where I know you are writing, where

Marechal Foch waits, where drowsy rain slows
words down to a whisper.

 

A world of isotopes

It’s because once one has tasted life,
death does not even seem natural.
~Roth, 2006, p.169.

The long stretch of sun wakens
me to strong coffee, a mixed berry

scone is company, learning to be alone
with you, the wallpaper reflecting

the recent R’s of poetry, Rumi in the deep
heart’s core, NeRuda’s wide expanse is island

hair finally long enough to poke out
from under all the heavy expectation of city busy.

Rilke in my mouth, all his flaws fit
where I want you too. These three

in the afternoon break over my shoulders
in silence, I look to see what you are reading

shadows under your chin,
this is where you bruise me, look me

in the eye too much. I turn away
afraid I am in love up the spine,

this bone tingle so deep inside, my vertebrae
are ivory keys pressed into the ground.

There in the dark with my body I see
everything is possible if permissible…, and

lift-up-your-nightgown, kiss you
through the fabric, trace the shape of our faces

fall together gently asleep, even this fruit
fossilizes. I do not dream of large houses

where voices can echo silent, where furniture
can be auctioned off. In this afternoon sun,

I prefer wicker, and the candle’s flicker,
and a blues soundtrack for getting dressed to.

There are holes everywhere to sink into
gather up the leaves into blankets

trusting in healing and your own beauty
a manifesto pesto, a delicious sound

organic orgasmic oregano, sea salt
and vinaigrette, this wet vegetable so zesty

an angel with butternut wings, spring
sings in your eyes, warm for the night

from the wind. O for that strength
which does not whither, can be held on to

holding back this slippery want—whoosh
and there it goes, it all flows out and my grip is gone

my yellow fear rises, comes out like that
cannot stand up by myself, or at all. Reach out

to steady myself with memories of my father
fixing everything, and the ½ mile store where

fisherman’s knots were for hands that did not
shake in the cold of winter. Whoosh—all empty

Whoosh—all alone. Whoosh—no more words
whoosh whoo who wh w \/ \

 

Self Love

Self-love cannot flourish in isolation.
~hooks, 2000, p.54

On Broadway and main
he returns to the Rhizome café
hoping answers will come
before the conception of questions.


He orders African cream rooibus,
inside him, her long and rhythmic
marks of meter. His heart slows,
it wants to know love that is not

dangling and squirming, a living
illusion on the hook. His unspoken
thoughts drag over the white page, halting.
Snacking on a chocolate cookie

becomes difficult because of the crumbs,
a perfect smudge is muddled
incoherence: slow yod progress.
Then pat. He is live bait, in a constant

state of cartoon catharsis, strapped
tight to the acme rocket, and still
the after shock in all one moment
whips hope’s promise up and up,

caught in the thrum of hot air rising
his unseen wings are loosened
from layers of expectation, silent
accumulation, even from within his own

Cro-Magnon howls, there is her music,
her vowels alive, aeolian. In dreams
desire is publishable, reciprocated
someone who reads him, feels him, finds

him at the forge, cathectic, beating out
a rhythm, and counterpoint leaps into the air,
deepening the welcome. He stares mouth open,
drops everything, and flaps his arms.

 

Copyright, Sean Wiebe.
All rights reserved by author.