Hugo Santander
COLUMBIA

Hugo Santander was born in Bucaramanga, Colombia in 1968.  In 1990 he graduated in Social Communication from the Universidad  Javeriana where he also started a Ph.D. in Philosophy.
In 1994, after staging several theater plays as the director of Arte Facto Teatro, and after obtaining a Post-graduate degree in Screenwriting from the Universidad del Rosario, he moved to the US , where he pursued an MFA in Film and Media Arts at Temple University.
Immediately after his graduation, having produced and directed several short films (amongst them po, which won the 1996 Temple University Motion Picture Association Scholarship,) he was appointed Associate Professor of Screenwriting and Creative Writing at the  Universidade
Católica Portuguesa of Oporto, Portugal, a country where he also directed lhas do Porto (Porto Ghettos) , a documentary broadcast in five continents by RTP (Public Radio and Television of Portugal).
In 2000 he moved to England, where he lectured at the University of Salford on Media Management, Acting for the Camera and Acting for Shakespeare--a course that included the direction and staging of his adaptation of Timon of Athens.
A 2002–2003 Lector of Spanish at the University of Manchester, he was awarded with a 2002 CEP fellowship, which allowed him to lecture at the American University of Central Asia (Kyrgyzstan) on Media Management, Screenwriting, Media in Conflict and History of American
Media.
Hugo has written several entries for the Hodder Education Encyclopedia Essentials of Philosophy and Ethics (London: 2006.) He is also the uthor of The Crisis of Atheism, published in The Philosopher, the Journal of the Philosophical Society of England, and a novel sold in
both Colombia and Spain: Nuevas Tardes en Manhattan (Manhattan New Soirées).
His first long-feature documentary Manatí: Portrait of a third-world happy Town, was edited in London between 2003 and 2006. His long-feature digital film Hamlet Unbound was produced in 1998 in Philadelphia, with no budget and with non-professional actors. Hugo
lives currently in his hometown, where he works as an Associate Professor at the Faculty of Communications and Media Arts, Program in Audovisual Arts at the Universidad Autónoma de Bucaramanga, UNAB.
 
Sonnets  to Coralie

I

The cruelest wind came from the meadows
 Virgin furrows where we used to graze,
 I, ill-born creature, adopted by the beasts
 That nature grows and feeds

 Our bodies used to be the shelter of a sky
 Blue or gray, free from the impurities of earth
 Milk and honey used to came out from your palms
 The source of all the brooks and seas I knew

 After the voice of your departure came
 I ground and broke my teeth at night
 Vestige of many atrocious dreams
 Cleansed by charitable souls at dawn

 How my tears try in vain to fill your gap
 I remain faithful to you even without you

Forging arrows out of foreign words
Expecting to pierce your iron heart



II

You leave, then, the treasures of El Dorado,
With words as threatening as death
The orchid and the hummingbird no longer touch you
They will fade off with my words as well

I can't recognize you in the girl that moves away
Casting me on the Caribbean shores
My spouse used to flank wrath and sorrow
Without yielding to adversity and detachment

The vestiges of the affair I once deemed happy
Are drowning in the flat I had just built
Barren by your cause, now devastated
Or perhaps I'm the one who dies at every step

¿Whereto your warm embrace?
¿Whereto the continent you used to explore?
Holding to your written promises I wait
For the redemption by the woman I yet love



III

It was a day before my birthday
On November tenth two thousand eight
Though I was fated to learnt it before Christmas
Thunderbolt that scorched the Andean heights

Vultures envious of your prize
Chuckled on the imperfections of my love
With a polite grind you gave me a cup of tea
Among linen covers your hands put me to sleep

When I woke up you were no longer there
Unwilling to recognize my woe
I called your name for forty days and nights
Tears and silence came out from the earth

Then a light broke from the sky
"These are the coldest dungeons of my soul"
I heard confounding echoes of your voice
Since then I fight with angels for your safe return



IV

You, who were in charge,
Of all the beatings of my heart,
Ditch what I deemed so dear to you
And ask me to go on with lethal wounds

You, whom I confided,
The fees and genii of my soul
Lay them to rest into the deepest tomb
They still cry for help in non-believing grounds

You, the one in charge,
Of all our happy days and tranquil nights
Evade me as a leper torn out by crows and hyenas
And denies me the solace of a embrace

You, for whom I built the cities of the world,
Brings indolence and humiliation in return
Expecting my forgetfulness or hate
As if I could carry on without the water and the sun
 
V

The darkest hour shimmers
Under the beams of toil and obligation
Acclaims and compliments are heard
Applauding the feats I reached for her

A gray sedan comes out from the past
To bring me over the roads and towns
I once promised for a smile of her
Bequest that fortune concedes and rebuffs

A colleague of mine asks me for her love
I replied that such was the gloss of contempt
Amongst adulteresses and bachelors
She shrugs her shoulders at my voice

But my heart deny her tearless days
Against her coldness and belief
I know they are but delusions of the flesh
Bursts of laugh that sprout, rot and die



VI

A turbulent month ends
And a gentle breeze caresses my palms
You write me asking me for a break up
Yes, I won't turn my back on you

It was at night when I woke up
And you were no longer there
One night when you ignored my care
One night when I expired in the Caribbean Sea

One night when I painfully understood
 I was less than a stranger to your friends
But one night our toils will be but dust
Away, then, I'll kiss my friend again

For we live many an infinite experience
From pain, misery and reward
Secret that God revealed at the beginning
Solace of a fair love-weary life

 

Copyright, Hugo Santander.
All rights reserved by author,