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Lucille Lang Day
USA

IS THE UNIVERSE WEARING A FROCK COAT
OR JUST ITS OWN SHINING SKIN?
Neither. It’s wearing a black wool coat
studded with moth holes through which
the light of its interior can shine.
Spiders and earthworms celebrate
the shimmer and flow of the universe,
so shapeless in its baggy black coat.
My own black coat is made of nylon, wool
and cashmere. On one lapel I wear
the heart-shaped brooch you gave me.
Beneath my coat, which has no holes,
my skin shines like Orion. My hips
gleam infrared. Sizzle. Crackle. Kiss.
HAS ANYONE EVER TRANSLATED
RED INTO A STRING QUARTET IN G?
Yes, in 1770 Mozart translated
the red of the Monterey paintbrush
into a quartet in G for two violins,
viola and cello. In 1772 he did it
with the blue of a scrub jay,
and in 1782 with the yellow
of a Kentucky warbler. He didn’t
need to see the paintbrush,
scrub jay, or warbler, only to listen
to the seasons changing in his ear
the way light and shadow sometimes
tremble in my cells when we speak.
IN THE FIELD OF THE POEM,
WHEN WILL THE STAR TULIPS OPEN?
When the evening grosbeak emerges,
bright yellow, from a stand of pines
to fly across an open field
in the third line of the poem,
star tulips will appear
in a wet depression by the path.
Fan-shaped petals will open pink,
revealing an oblong gland
with a fringe of golden hairs.
The grosbeak will chirp loudly,
breaking the poem’s silence,
and you, my love, will take my hand..
IF A RHIZOME IS ALWAYS SURROUNDED,
DO ROOTS AND TREES FEEL SAFE?
A gangster surrounded by police would feel
like a finch in an eagle’s claws,
as would Joan of Arc in the flames.
A fetus, though, surrounded by muscular
uterine walls, the hiss of blood,
and thump of a mother’s heart must feel
far from harm’s way. For roots and trees,
soil and air are a feast and feather bed,
but I am an only child. When others snuggle,
I still wonder where my ferry waits,
until your arms wrap around me again,
fog lifts, and the morning is my quay.
EACH TIME A JUNGLE BURSTS INTO FLAME,
DOES A STAR BLINK OUT IN THE MILKY WAY?
Since stars blink out and are born each day,
the probability is high that jungle fires
will coincide with the deaths of stars.
This should not be confused
with causality, but as rain forests
succumb to war or development, tiny
unknown flowers and insects are lost
to the universe, along with sources
of the oxygen we crave,
and when you’re angry, something
sparkly disappears inside me--a small
reddish star without a name.
SINCE A MAP HAS MULTIPLE ENTRYWAYS,
WHERE CAN I EXIT A DREAM?
I especially want to escape
the one where dinner for twenty costs
more than two million dollars
and I’m the only one with a credit card.
Judy collapses in my arms
when I show her the bill. I need your help
at times like this, when the house
slides off its foundation again
and I can’t find a different route
on the map of my neural connections
or even my gate at the airport. Just kick me.
Shake me. Get me out of this mess!
WHEN PALM SHADOWS DANCE ON THE PAVEMENT,
WHICH ONE KEEPS THE BEAT?
It’s always the one on the far left, the tallest.
That one used to play drums
in a jazz band in New Orleans, in a club
packed with laughter and dancing.
Before that it was the heart of an oriole,
tapping more than one hundred times
each minute as the bird sang
a medley of whistles and flute-like notes.
Long before we were born, it was
the sea itself, rhythmically slapping
golden sand all along the California coast.
It has always known the right beat.
WHEN FOUR ICE CREAM TRUCKS MEET
AT THE CORNER, DO THEY ARGUE OR CHAT?
Sometimes they reminisce about the fifties
when unleashed cocker spaniels ran alongside
them, and you and I were kids on the street.
There were fewer cars then, and we didn’t
know our cholesterol and triglyceride levels.
If they argue, it’s about the relative virtues
of low fat versus regular ice cream,
and low fat ice cream versus frozen yogurt.
They remember when there weren’t
so many choices. When this gets old,
they gawk at SUVs and minivans, saying,
“I wish we could head for the beach.”
All poems are from The Book of Answers, (Finishing Line Press, 2006).
Copyright © 2006, by Lucille Lang Day.
© All Copyright, Lucille Lang
Day.
All Rights Reserved. Printed By
Permission.
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