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Len Roberts
USA
Lenrobertspoet@aol.com

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Dr. Len Roberts, who has been a professor of
English at Northampton Community College since 1974, is the author of
eight books and three chapbooks of poetry. His most recent volume of
poems is The Silent Singer: New and Selected Poems, which was
published by the University of Illinois Press in 2001.
In addition to his volumes of poetry, Dr. Roberts
has had one book and two chapbooks of his translations of Hungarian
poetry published, including The Selected Poems of Sándor Csoóri.
He is also a major contributor to several prestigious anthologies of
Hungarian poetry, such as In Quest of the Miracle Stag: the Poetry
of Hungary. He began his translation work while a Fulbright
Scholar to Hungary, 1988-89. He has also been a Fulbright Scholar to
Finland and a Fulbright translator to Hungary. In 1999-2000, he
received a National Endowment for the Humanities Award for his
translations from the Hungarian into English. He has also received
four grants from the Soros Foundation to continue his translations.
BOA Editions has just accepted his ms. of
translations of Sandor Csoori's poems; he is one of the greatest
Hungarian poets living, if not the very best. Copper Canyon did a
volume of his translations of Csoori's work back in 1992. BOA will
publish the book sometime in 2004. The
Lannan Foundation supports BOA.
Dr. Roberts has received numerous awards for his
poetry, including a John Simon Guggenheim Award, two National
Endowment for the Arts Awards, six Pennsylvania Council on the Arts
Awards, and a Witter Bynner Award. His fourth book of poems, Black
Wings, was selected by Sharon Olds for the National Poetry
Series. His poetry has also been selected for The Best American
Poetry and Pushcart Prize Awards.
Roberts started writing poetry at 28 as a way to
cope with his father's death. A year later, he read some of those
poems at Lafayette College in Easton, PA. Allen Ginsberg heard him
read and liked his work so much that he got Roberts manuscript to Bill
Mohr, a Beat Generation poetry editor, who published Roberts' first
book, "Cohoes Theater," in 1981.
Roberts not only is a prolific and widely published poet, but he
continues to teach the elements of poetry to both teachers of writing
and even very young students, characterizing that as one of the best
things he does.
He has been a visiting professor of creative
writing at Muhlenberg College, Lafayette College, and the Graduate
School/Writing Project at the University of Pittsburgh. He lives with
his wife, Nancy, and their children, in Wassergass. |
The Way of the Cross
When Sister said God was unknowable
and unknown,
that only silence could express
His Nothingness,
we hushed for a few seconds
in that sixth grade class,
Joey McGraw, up front, white shirt,
tie, pants pressed,
nodding his head, as though he could
hear Him,
and Leslie Stiles, tall, blond girl with
pimples
who carried the nuns' lunch from the
convent,
sitting with her mouth open as though
waiting
for God to soundlessly enter, Richie
Freeman and Donald Wilcox
cocking their ears as they bet
on an ant
that crawled past their desks,
Richie stomping down when it turned
back,
making me laugh even as Sister wafted
up the aisle
with the three-edged brass ruler, tapping
heads as she went,
Good, Good, Good, she said till she got
to where
I sat, then hissed Bad, Bad, and whacked
till I bled,
the rosary beads on her belt clicking
between
her knees, the silver cross on her chest
thumping
while she shouted, This is what happens
to sinners,
stumbling her way back to the front of the class
where she wrote The Way of the Cross with red chalk,
told us
we must lift our crosses up, up,
so the sinner among us might, might, she whispered,
get into heaven,
making us stand to do it that very second,
twenty-two eleven-year-olds lifting heavy crosses
of air onto our shoulders,
balancing them there as we staggered around
the empty seats,
some bumping into the scarred desks,
some easing them from shoulder to shoulder,
some stopping to kneel and catch their breath,
no one daring to put down the crossed weights
or whisper a joke
as we circled each other for a silent hour
that gray, darkening, December day.
The American Poetry Review/Pushcart Prize
In book: Counting the Black Angels
Learning on Olmstead Street
The tattoo of a heart with an arrow
piercing it has MOTHER written in blue
across the pink center, and it moves
each time my father piles another stack
of coins on the kitchen table or reaches
to lift the gold glass of beer. Who
was the sixth president, he asks, What's
the capital of Nebraska, the difference
between the Arctic and Antarctic, the change
for two boxes of doughnuts at twenty-three
cents each if the man hands me a five-
dollar bill? Even as I stand to wrap
sandwiches in wax paper, folding
the corners in neat triangles the way
he taught me, he asks the names
of the last three governors of New York,
says in French I've dropped the knife.
Bending to pick it up, he's suddenly
beside me, his eyes bloodshot,
his breath blue smoke as he repeats
the average life span of an ant, a moth,
then wipes up the stain in looping
figure eights, the sign for infinity
he says, tossing me the dirty cloth.
POETRY In book: Black Wings
Second-Grade Angel
Each Choir had 6,666 Legions,
with 6,666 angels in each of these
and I knew as sure as the fluorescent
light
in that second grade class kept blinking
that I had been one of them, still was,
but sent
to Earth because of some unforgivable
sin,
that all I had to do was lift the window
and I could soar out onto Ontario Street,
wings
erupting from my shoulders, the white
shirt
tearing off, the school's striped tie
and gray trousers floating away, and I knew
I had fire
in my tongue, my right hand filled with
lightning,
that Sister Maria must have seen it
but decided
to keep quiet so the others wouldn't bow
down to me and lose their places
as we Pledged Allegiance and recited
the Commandments, the Mysteries,
the invisible wings on my either side telling me
again
my true father was not a road man for the Golden
Eagle bread company,
my mother not a textile stitcher who danced
nights with drunks at Boney's,
knowing I could soar above the blue Earth, up
into the darkness
where my brother did not walk alleys calling
for rags,
that dogs howled when I walked by because
they sensed
the fire in my body, that the dates of my birth,
3/13/50
added up to the magical number of 66
and gave me power over seasons and planets, able
to make
Margaret Blake throw up because she tripped me,
giving Ronny Michaels the hiccups for shoving
me down the stairs,
sure even then I would ascend again some day,
despite my heavy body, the warts on my hands,
and I would become who I was, and I would know
my real name.
The Hudson Review/Counting the
Black Angels
The Sparrow and the
Winter's Nest of Snow
Long winter day of cutting wood, old
cherry trees
strangled by poison ivy, one a good
three foot thick,
the trunk set aside for the lumber
mill, the rest
cut up and stacked while I thought
of my distant son in his distant room,
of the full-page poems he sends in the mail,
The winter's nest of snow
scribbled in his first-grade red and yellow
and blue letters,
and the picture with each one,
huge oak trees and tiny daisies, always
the sun in a blue sky.
And I remembered my father's drawings
before he died,
how the sparrow came into each sketch,
sometimes on an arcing branch,
sometimes on a gutter,
the scruffy brown feathers and yellow-orange
beak,
the tiny claws clasping whatever it was on,
sparrow with its small song,
sparrow indistinguishable from the winter's brown weeds,
sparrow of the mind of my father that has flown
into darkness,
sparrow above the glass of Schaefer's, the pack of Luckies,
sparrow of the blackened heart and short distance flight,
sparrow of 47 years and a mad wife.
Sparrow darting now over my buzzing saw and bent head,
making me look up
at the steel sky, upstate New York winter wind
whipping my eyes,
poor, stupid sparrow in this five below,
searching for the winter's nest of snow,
sparrow stumbling down the streets of Cohoes
mumbling Irene, Marjorie, Irene,
sparrow pulling out the racks of doughnuts, cakes
and pies
those early mornings of the Golden Eagle bread route,
taking the iced curves in the road at seventy miles,
pock-marked, skinny, malarial-ridden, drunken sparrow,
I follow you a few seconds in this light, then let you go.
The Chicago Review In book: Counting the Black Angels
The Equation
Twenty-six years dead
and still you stir
my sleep, wake
me four a.m.s
the entire week
before your final date,
point me to sit
and learn the assigned
words, commit
to memory the capitals
and states,
the value of x
always bringing you
hovering, close, your
beer breath in my breath,
clouds of Lucky Strike
smoke bluing your face
as you bent to trace
the known and unknown,
as though
that might explain
why the woman had left
or the other son's death,
how you had come to weigh
105 beer-soaked pounds at
the end, a stick figure
of a man bent over a sheet
of scratchings you tried
desperately to show me
made some kind of sense,
whispering in that hushed
voice I hear as clearly
now as I did then
to pay attention
to the equal sign,
that what is given
is given is given.
The Southern Review
In book: The Trouble-Making Finch
© All Copyright, Len Roberts.
All Rights Reserved. Printed By
Permission.
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