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C B Follett
USA
runes@aol.com

C B Follett’s poems have appeared in many magazines
and anthologies in this and other countries. She has received numerous
awards and grants – among them, five nominations for the Pushcart
Prize in Poetry, runner-up for the Robert Winner Prize, the George
Bogin Award and finalist for the Alice Fay Di Castagnola Award (all
from the Poetry Society of America), received contest honors in the
Billee Murray Denny, New Letters Prize, the Ann Stanford Prize, the
Glimmer Train Poetry Contest and others, a grant for poetry from the
Marin Arts Council in 1995 – and has four collections of poetry, The
Latitudes of Their Going (1993), Gathering the Mountains
(1995) (both from Hot Pepper Press), VisibleBones (1998, Plain
View Press) and her most recent, At the Turning of the Light
(2001 Salmon Run Press) winner of The National Poetry Book Award. Her
latest anthology, for which she was editor, is GRRRRR, A Collection of
Poems About BEARS. (1999, Arctos Press). With Susan Terris, a friend
and poetry colleague, Follett has started a new poetry annual, Runes,
A Review of Poetry (Arctos Press 2001) The theme of the first issue
Winter 2001 was ‘Gateway’, and Winter 2002 is ‘Mystery’.
Follett is also an painter and sculptor and has done several of the
illustrations and covers in GRRRRR, Visible Bones, At the Turning of
the Light as well as other poetry books. A graduate of Smith College,
she lives with her husband in Sausalito, California perched between
the coastal range and
San Francisco Bay. |
The Bird is Inside
There are times when you recognize things
are not as they should be, that the bird
should not be on the inside sill looking out.
When the child sickened, they thought it was flu,
watched her with careful eyes, prepared
warm compresses and cold – held her,
but never considered the blood,
the journey it must make to the heart.
And the heart
with its serene beat of responsibility,
could not tell them the blood it was pumping
was not good blood.
The news it contained: silent, stalking,
showed up like thunder in the tests and the child
was at risk, like the bird on the inside sill,
she was caught in the open
and couldn’t make it back to safety. The world
took a turvey spin on itself,
a movement out of its natural order.
As when the poles tilt, magnetism, taken for granted,
shifts its weight. The assumed directions of life
correct to northeast or southwest
and a new triangle locks into place. A child falls in,
like lost planes, like lost birds; a child
with faulty blood falls
into a hole in the seam of time.
As the bird, waiting, on the flaking sill,
looks out at the grass and bushes of what it is used to,
waits for something to release it, or a river of air
to follow in on a sun mote and show the way out.
Have you been listening to the voices of rain
how they linger behind your ears
how they wait with patience for your good attention
Consider the small lives beneath the shadows
how they weave this Earth together with you with us
Go out into the sounds of bark and soil
Listen this is a good moment
Close the Dutch doors Turn your back to the past
Drive down any road
and commit to horizons
Open your chambered heart
Be expectant
What’s out there can lead inside
the thin edge of miracles always out of reach
It’s not necessary to sound the trumpet
Lift your hesitant face to the light falling from trees
listen
Lift your hesitant face to the light falling from trees
It’s not necessary to sound the trumpet
the thin edge of miracles always out of reach
What’s out there can lead you inside
Be expectant
Open your chambered heart
and commit to horizons
Drive down any road
Close the Dutch doors Turn your back to the past
Listen this is a good moment
Go out into the sounds of bark and soil
how they weave this Earth together with you with us
Consider the small lives beneath the shadows
how they wait with patience for your good attention
how they linger behind your ears
Have you been listening to the voices of rain
Window
When I look again the window
is half open into his darkness.
Glass caught in years of sunlight
is warped, probably brittle.
I wonder how close he is
to leaning his pale arms
on the sill, letting his tongue
slide along cool glass when he thinks
no one watches.
If he sees me, he'll begin to diminish
into background and when I look again
there will be blinds tilted to the sky,
his grey eyes somewhere behind them.
We have lived next door and never
tied our words together in the street.
His eyes shift; his bones,
hardly of substance to hold him erect,
seem to dare the light
only in search of food.
At night odd flickers of blue light
kick across his ceiling and walls,
the only iridescence I imagine
is his. Is it company or barrier,
when even the glance of a neighbor
causes his skin to shrink from air and cling
like rawhide, drying around him, compressing
all that he is into parchment
until reduced and dried he is found
entombed in his own scarcity?
How important the open window becomes
when you think about never.
Yes
I cannot imagine
how the circle of my life will round on itself,
this morning is so clarified.
Out my window,
ravens fluff into something larger
and the hemlocks dip at their increase.
Below in the shaggy meadow,
a gardening shed tilts on an axis
doomed to fall
And a yellow dog
clips along his non-path, searching
for earth holes.
In the spaces of the day I find
no limit to what the eye can see
if it sees with the heart,
No image
so concrete it cannot be stirred
with the long handle of attention.
Today
in the open throat of my life, I cannot wait
to get started.
Lost and Found
My daughter has found her birth mother.
Soft rocks the cradle.
Hard scrabble, this search,
this last search, begun in her gut
somewhere around eight.
Loss colored all her stables.
Rejection rode the winning horse,
balked at the fences, and threw her
in the mud. Again and Again.
One day, she got an answer. Hired
a detective, who took her clues
to the head of the line, and so
she sent a letter. Got one back,
and some pictures. Now at last,
she looks like someone,
is somebody's daughter.
And I wish her
the joy of it, as she rises
out of the mysterious density of loss,
and I fall toward it.
© All Copyright, C B Follett.
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