Poetry Magazine

 

  Judith Barrington

USA

judithb@pacifier.com
http://www.judithbarrington.com

Judith Barrington's most recent book is Lifesaving: A Memoir, published in 2000, winner of the Lambda Literary Award, finalist for the PEN/Martha Albrand Award for the Art of the Memoir and the Oregon Book Award, and nominated for a Pushcart Prize. She has three volumes of poetry, Trying to Be an Honest Woman (1985), History and Geography (1989), finalist for the Oregon Book Award and for the Lambda Literary Award, and Horses and the Human Soul (forthcoming from Storyline Press in 2003). Her bestselling book for writers and writing teachers, Writing the Memoir: From Truth to Art is used widely in university writing classes, independent workshops, and by individuals
CROWS
Crows startle the clouds
with grievances never resolved
and warnings blurted into thin air.

Once in a while, the cries of all those who tried to survive
pour from the funnels of their throats.
No wonder we never really listen.

Like most animals, crows tell the truth:
working hard to penetrate our tiny tubular ears,
they cackle on telephone lines while we watch TV.

Once I did listen to a crow, but even when I had heard
his whole story, there was nothing I could do.
Next, I thought, I'd have to listen to squirrels and coyotes.

I like to think I deal with my share of rotten truths
but I couldn't bear to kneel down in damp grass
and listen to the hedgehog or the mole.

[Published in Poems & Plays Number six, 
and in Poetry London, Spring 2000]
 
RIMAS DISSOLUTAS 
AT CHACALA 
BEACH, MEXICO
Not waving but drowning - Stevie Smith


Not even your hand reaching from the past as you go down
into the Atlantic keeps me from the sea. Pacific waves like trucks
crash down on me, my legs tugged away in an avalanche of sand.
Sometimes I fall, suck in a snatch of salty air
and skid into the cave of the next wave, only to be hauled
back to the tideline with bottle caps, shells and small green beads.

With an arm raised, that visual cliché, is not how you went down
I'm sure-it's how we went down in the pool at Black Rock:
leggy ten-year-olds each holding her nose with one hand
and reaching up with the other in that mocking gesture of despair.
Down we went, face to face, our hair loosing small
bubbles as it streamed upwards and we stared like mermaids

into that liquid underworld, clear and paint blue, its only known
danger a dose of chlorine that left us headachy and pink-
eyed, our swimsuits smelling of hospital by the long day's end.
Did we sense then, as our lungs screamed for air
and our cheeks bulged with held breath, that this transparent wall
could surge into the hollows of our lungs and turn us to weed?

The fact is that after a while I couldn't stop. Rhythmically, alone,
I surged up, grabbed a mouthful of air and sank,
my arm marking the spot in a drama that would never end.
As it turned out, it was a kind of defiance of the future
as it is now of the past when I breast the Pacific, ignoring the call
of your hand in the air as Atlantic swells cover your head.

[Published in The GSU Review, Spring 1999]
 
HARVEST
When you're young and out at night
searching for your lost pony
the black sky leans on your shoulders
like a rucksack full of sins.

Under invisible stars
you carry the burdens: gates left unlatched;
temper-tantrums that sent the pony
bucking away in his field

and all those times
you laughed at the farmer,
a dour man who watched the sky
as harvest approached-

watched the corn ripen while you
and your pony cut the corners
of those brittle fields, flattening
his bread and butter.

When you're young and out at night
calling for your black pony
through field after field of grain
an owl flings itself down from an oak

and you make vows.
If only you could find the pony
but remember too the vows
you make and remake on a dark night, searching.

[Winner of The Portland Poetry Festival contest. 
Published in Callapooya Collage]
 
INERADICABLE
Sigmund Gundle 1915 - 1996

He'll never forget their names: daughter
grand-daughter, sister, late wife.
He'll always know where he parked the car
and what he went to the store for in the first place.

The President's name, today's date, his favorite
brand of coffee-all etched
like the names of the dead in a granite wall,
alphabetical. Memory's like that, isn't it?-

dark gray wall, file cabinet, a great room
with newspapers piled in rows by date and place
all of them recording news of a life
from gossip column to missile attack to the daily puzzle.

Or, of course, it's a computer: cerebral megabytes
swallow the story chapter by chapter
until the hard drive crashes
What he thought could never be lost, is lost:

names escape through paneless windows,
streets sprout unexpected turns
and faces float away from their old histories.
He turns his wheelchair to block the corridor;

nurses beg him to move but he waves them away
shouting in German. So much is erased
but this he'll remember and remember:
the camp; the guards; yellow star; dead mother.

[Winner of the 2002 Clackamas Review Poetry Contest. 
Published in Clackamas Review, fall 2002]

 

 

© All Copyright, Judith Barrington.
All Rights Reserved. Printed By Permission.