| Priscilla Lee USA
Dim Sum & Then Some At the Eight Immortals--where the Lee kids are known to sprawl in front of dim sum carts, checking out the shark fin dumplings & ham ha ngau yuk chow fun-- the owner prefers to seat us in the banquet room upstairs. Grandma loves her grandchildren, doesn't want us to marry & move out of state! The boys pat her head, sputtering Chinglish & adjusting tones until they hit the mark. On special occasions, when Canadian half-relatives visit, second uncle's lanky second son, Ellison, tapes styrofoam cups to his chest, piles waist-length hair on top of his head, & grooves like a drag queen waitress in heat. If our blind Grandpa were alive, his one blue eye would try to stare down our antics. Last year I married & now I'm chewing the fat at the grown-up table, talking about my 401K. I miss the steamed bun fights, the 11-kid stadium wave around our table, & the puppet show--chicken & duck heads stuck on chopsticks, pecking at each other, their pink napkin dresses trailing in the soy sauce. George, My Husband, Didn't Expect to Live in San Francisco The full moon beams as if it had eaten blue cheese & burped into the sky. The pasta trucks rumble down the Great Highway. Our cat, petite in her black sealskin coat, claws at the ghost of a mouse in our dark wood kitchen. I can almost taste the pappardelle con il ragu di fegatini as my husband, the refugee from Mattawamkeag, Maine, sways in his plaid boxer shorts, stirring his chicken-liver sauce. The evening smells the way the cheese felt when it melted. It's in the mood for love. George laughs since he didn't expect to live in San Francisco, ten years after seeing the bridge collapse. The moon won't eat cheese. Tom Waits, who keeps an eye on life, chokes up a melody--outside, another yellow moon has punched a hole in the nighttime. The black ink of my life keeps writing on the right squid of my brain. The cat screams in Cantonese, telepathically, again Big Pris, unsettled by her migraine, stands on her head. She'll have quintuplets by Cesarean section when she's 41, & they'll frolic in red rain slickers & tiny duck shoes. These hip babies will love asparagus spiced Eritrean & George'll have to feed them milkshakes to make them hungry. Mutt-ye ho? M-goi, tai ha. What's good? Let me have a look. Baby Cat slurps the sauce, twirling the angel hair in her paws. The moon blows a raspberry at the comets as they somersault through the night. George & Pris turn off the light & pull the blankets for bed. The fog horns groan & the cat wants to build a bonfire & sauté her littleneck clams. Note: The line, "outside, another yellow moon has punched a hole in the nighttime" is from Downtown Train by Tom Waits. 1522 Mason Street, San Francisco, 1969 Years later, I still hear the continuous steel cable, vibrating in the groove under Mason Street, Uncle Gary sobbing because someone at the Laundromat stole my diapers, his room pulsing with nervous music. No one told me he left home until the day I scuttled from the smack of my mother's slipper, & she dragged me from under his empty bed. I think of Grandma praying faster, me looking under her skirt while she lit offerings to our ancestors, her thick legs rough with veins, the beige stockings sagging under the pull of garters. She always loved me best. Uncle Gary had hitchhiked East to study teeth. Sometimes, when no one was home & you could hear the crackling of mah jong tiles shuffled next door, Grandma, Grandpa, & I watched strippers on TV. I remembered Grandpa saying, "American women will do anything" while the melon-breasted blonde with a face like Kim Novak, pulled a feather boa back & forth across her bottom. I can remember the night Uncle Gary choked on a fishbone because he didn't learn to eat his fish heads right, Auntie Joyce poured vinegar down his throat to make him throw up, & Uncle Lealand hurled his chopsticks, chipping a plate because the baby wouldn't stop wailing. No one told the landlady we had ten people crammed into three rooms or that Great Grandma smoked & slept in the hall closet. That night, Grandpa, blind & bulging with irritation, flung the radio into the clanging cold. Of Soup and Love In the winter when a young woman invites a young man for chowder, he packs a bag. I had my knapsack ready. I worked as a museum guide. Nadine was a guard telling people, Don't touch. I loved soup. Two months later she was pregnant. I didn't want the baby, but fed her bread and broth, held her head when she couldn¹t keep food down. Her housemate told me Nadine planned the pregnancy. One morning, I sat up in bed, my breath warming the air. Nadine was by the bathroom door on her hands and knees. Moaning, hair stuck to her face, she scrubbed blood off the white rug. She was hemorrhaging and scrubbing. I pulled a long shirt over her. A tubal pregnancy, her doctor told me later. A dark mass, bone and tissue, blocked the fallopian tube. That spring, I held her and kissed the scar on her stomach, my strange little signature. China On our dining table, every dish is a dime-store pattern: blue dandelions, red nasturtiums, the entire stack, a small legacy won in a 1959 coin toss by Lealand, the uncle with the long arms and legs, who pitched penny after penny at a parking lot carnival until his pockets were emptied of everything, but lint and luck. My family wouldn't buy Emporium bowls thick like heads of cabbage or soup spoons holding hand-painted water lilies; our plates, chipped and resounding, clatter at every feast. In America, we acquired what was necessary: some English to earn a living, cotton for dull work, enough noodles for a long life. My father and uncle fled China with a black leather trunk, four wool sweaters, and proud photographs of their two-story mansion. They rented on Mason, Alfred's Steakhouse clanging all night below. Great-Uncle's wife donated a lazy susan, mini Bora Bora pitchforks, and wooden bowls, rancid from salad oil‹whatever she couldn't unload at her yard sale. Sundays, she invited her nephews to hang coats, change diapers, and serve finger sandwiches, told guests, ignore those farmboys, too stupid to say yes or no. The boys didn¹t tell her about the jars of jade or the big house, its pond swimming with yolk-eating carp. They studied calculus and chemistry and worked after school, eighty-five cents an hour, pouring coffee at Mee Heung Bakery and ironing pleats in sweat shops towards a new life: chicken and fresh fish every day, wonton noodle soup and television at midnight, Grace Kelly on weekends. When I get off the boat, America is a beautiful country, my father says as he watches Uncle Lealand, the organoleptic specialist, dish up the leftover black bean lobster for his cats. These poems appear in Wishbone, Priscilla Lee's first book recently published by The Roundhouse Press, a Heyday Books imprint. © All Copyright, 2000,
Priscilla Lee. |