| Thomas Downing USA Women in Doorways Women relish the hushed absence of men. Our desire for them in temporary abeyance unwatched unappraised unafraid unknown they celebrate in more ways than we know. Like Hopper’s yellow-haired prairie queen exempt buttons undone naked now and then they noon pose in shadowed doorways fusing sunlight and flesh -- scenting wind. Midnight they loll sipping warm lazy rain tracing trees tapping leaves trading places posing in wine-shadowed doorways naked tasting and fingering long slow rivulets from God. Women cherish the hushed absence of men: it is not always us they are thinking of.
How Does Edward Hopper Know? How do you know Edward Hopper painter of real women alone
look like this have looked like this will look like this instant stopped crawling into bed
standing in doorways or rocking in Brooklyn when any pose at all draped or nude mute or sassy is at least a whispered imposition touched with fraud if done for money or whipped from color wheels and your imagination?
Daddy-long-legs I Sixteen legs thin like thread intruded office in overnight arachnid trespassers husband and wife? establishing residence distracting me morning driven report not done spun silk linked to Erie fields and cranky Northgate grass Tilford, Freddy, and me our mothers ----------phobic what we couldn’t say nor spell in house chased finger smashed how we earned our mothers’ praise and sifted golden cakes II Sat down later dad straightened out reducing bit by bit what we didn’t know we didn’t know
No No No No Huh? we wouldn’t like it if stronger strangers tore our legs off laughed if we cripple walked ripped up our tents we labored long to make what a black widow a venomous concern looked like if we fell over it or the days we’d waste on women’s fears and manliness times we’d sift for ourselves Daddy-long-legs seeking golden space. © Copyright, 2000, John Griffiths (Thomas Downing). |