| Dan Bellm
USA
Before words A baby is singing in the morning before anyone is up in the house Before he has decided which of all the languages he will speak he is trying the sounds of his voice in the first light He hears a man come up the street collecting bottles just ahead of the garbage truck straining uphill to come throw them away He hears the shriek of glass It is like the vessels of Creation breaking in God's hands He hears the wind around the house and in the wind every word he will ever say and what will stay unsaid and stops to listen to silence and sings to it the way the body addresses the soul lending it shape lending it comfort and sorrow The body wants to be useful and the soul is open so wide This is the way we awaken He remembers he is alone and cries for us. Hands Here, scarred over nicely, is where the tip was sawed away -- Working yourself down to bone there were bound to be accidents in the tender places -- Here, the thumb of your right hand got reattached, but at a slant: I like to imagine I feel a lost tenderness coming to you again as the tension drains from your fingers -- I mean, the life -- the two of us holding hands like little brothers, and though you don't hold mine back you can't pull yours away. Whole days I sit and do the work of talking for the both of us, easier now, knowing you won't wake again, but I think you hear me, thanking, forgiving -- no accident it's me, Dad, your mortal enemy and friend -- I think you can feel my hands in yours, bone to bone, your hands going cold on me that were so strong your handshakes hurt but I could kill you now, I could hold you down and make you stay, make you feel proud of me that for once I'd done some real work with my hands -- Oh wait -- I only notice by accident you were gone a minute -- you've started breathing again, that relinquishing groan, your last lung rising up against the bedsheet, your mouth the gaping O of a saint handing over his life in a trance, Isaac blessing the second son by accident, fooled by blindness -- Did I scare you? -- Don't go -- I haven't held your hands since I was a child, they're so cool and soft, but that's death, working harder even than you -- It's strange -- I didn't know I'd feel happy in the end and does it mean our struggle is done that I feel happy, with your blessing or not, not really wanting you back again but wanting the farewell to last? I see you leaving for work, the unresponding God eternally going away, your hands in fists. I see you one afternoon in '68 holding two fists in the air and crying in shame -- there's been an accident -- the radiator cap as you turned it flew up by accident and boiling fluid sprayed over your hands -- as much as the pain you feel ashamed to be crying, and mad that I saw, and turn your back. I see you holding one hand down to hammer and hack and burn it again and again, see you lifting more weight into your hands than your back can hold. O discoloring skin, unmarrowing bone, o working armor: any baby, first thing, will grasp at a touch and hold on but I feel your hands now working themselves away, unfathering me -- What an accident of death that they begin to look like infant hands, as if you will live again. Consolation After I kiss his forehead lightly once goodbye, after the closing of the box, where does his suffering go -- of course it's the Catholic heaven he expects, the resurrection of the body and the life of the world to come but where does his suffering go -- I mean whatever of it that is not part of me -- The fearsomeness of his face has been drained now and recomposed, injected with a semblance of spirit, the lips held shut, so like himself, but with a semblance of rest because in heaven the pain of the body and soul is supposed to be forgotten and past but is it lost, or does it suffer without him on earth and where does it remain to wait for more life -- Most of the universe is missing but it isn't lost, I expect it's here somewhere, world without end, hiding in plain sight, all the suffering banished from God's heaven, all the imploded substance and the trapped light. Brightness Driving home from the hospice, from his death, four a.m. now, his last possessions in a paper bag beside me on the seat, the heavy glasses, the teeth in a margarine tub, his cheap watch on my arm as though I'd stolen time back, the smell of his skin on my hands; over the city where I was born there's a sliver of glass, the new moon with the old moon in its arms; so dark, and no one on the streets as if this were my dream city that I won't have to share with anyone, enclosed apart in its own time but a little changed, a little decayed from the way I remember it, separate from me after all, going its own way; it is not my memory; time has not stopped; my father is dead. O ferocious soul with your famous mistrust of love, I think your darkness must be my inheritance; I reach the edge of the city, drive west on Highway 36 and there is no one under the shelter of darkness but me and two or three truckers on the road, early risers like you, starting the working day before anyone has stirred; so the far past returns and you come into my room softly to tap me out of sleep in the dark, we go for a ride in the truck somewhere, you and me, shivering awake, our breath visible, alone in our bodies, alone in the world. All from One Hand On The Wheel, © Copyright, Dan Bellm. A messenger spirit for James Schuyler Once you start looking there's no end to it -- spring day on
Chimney Rock high above the ocean
facing the wind, a meadow of wildflowers breathing. There are
violet patches of sea where clouds
pass over the turquoise and green. Pacific ocean, so inviting
and frightening, like a soul-eye,
like a place of rest. Now I have nothing but his voice in his
books, endless or not. In the morning
I picked up the paper to read that he died, my father-poet
and teacher, my old friend I never met,
my old seer. This must be why we learned to fly, the desire
to walk and run to reach the end
of the land, arrive and then keep going like the loons and
cormorants gliding over the rocky tops of
tiny islands out there, lines of light on the ocean flashing.
"Then there is a fifth season, called -- but
that's my secret. Yes, my secret, and I'm going to keep it
that way. Yes, my secret." Dusty ratty pink
checker-bloom; all day I mistook it for some kind of geranium
until Peterson's field guide scolded
as if any fool in California'd know it's the "very common"
mallow sidalcea malvaeflora. Cat's ear --
a mariposa tulip with cottony hair inside, pale lavender --
blue-eyed grass, miner's lettuce in
the shrubs' shade, a carpet of blooming ice plant, California
buttercups, Martin's paintbrush, Douglas's
iris ("top of ovary nipplelike"), red maids -- purple, really,
so delicate and easy to miss with their
brilliant red hearts and why do we want to know their names
so much? What a dominion of words in our
minds. What a long fall down this brittle scrubbly cliff to
the waves on the black slate. One night
I remember a red fox appeared at the edge of camp out here
in the beam of my flashlight: calm,
didn't freeze or startle, just nosed the grass and the knobby
roots of oaks, padded slowly off through
ferns and down into a canyon. Now I have nothing of you
but your poems in my hands and your voice in
my ear carrying for hours even in this rough wind. Last night
you were in my dream like a messenger
spirit: you'd sent me an envelope full of photographs
so tiny I couldn't see you in them
and once they started blowing out to sea there was no
end to it, you were here and gone.
From Buried Treasure, © Copyright, Dan Bellm. All Rights Reserved. Printed By Permission. |
|
ADVERTISEMENT |
||
|
|
||
|
|
||