| Zack Rogow
USA
Zack Rogow's most recent book of
poems is The Josephine Baker in Her Dressing Room at the Folies Bergeres, 1927 Well, Lila Harris! Aint seen you since Forty-third Street! What brings you to La France, honey? My number's on in a minute but we can yak a little while I put on my face. 'Member how they stuck me at the tail of that longlong chorus line in New York? Last sure was first that time, wunnit? I just made such a spectacle a myself, slippin my hips all over an crossin my eyes till they practically switched places. I needed to steal that show badder than a empty larder needs a stick a butter cause there wunt no way I was gon back to wipin floors in Saint Louis no mam. Used to dry those floors by wrappin a rag round each foot an dancin em dry! Started there eight years old, peelin an gratin an rollin out crusts. Know what they call me here? La Bakaire-like I was the Eiffel Tower or somethin. And see these? One days fan mail: hundred seventeen love letters and eight men askin all seal-voo-play can they have my hand. Stroke this sable. I aint eatin no more scraps. Best thing I ever did was jump that boat an go leavin no forwardin address for Mr. Jim Crow. I wonder could this someday happen in Saint Louis? I see you lookin at my banana skirt with the rhinestones. If the no blouse jungle routine is what I gotta do to dance, thats what they gon get but lemme tell you I watch them boys come bobbin into the club with one leg left in the War now that there was a jungle and it wunt no Africa. You like any a those shawls hangin up, Lila, you just help yourself, cause I got more at home than I could wear on a nippy night in Greenland. Go ahead and take in the show from the wings. I can make em laugh, I can get em hot, and when they on the second bottle of the bubbly stuff I sneak up an croon somethin that makes em cry in French. Oh, you gon see a shimmy, girl, like nobody done since they wrote the Bible. Swings The chains are creaking, sweeping, counter one another, pendulums of clocks that stand a head above us. Shadow swings go rippling over sand. Mothers, fathers fling their pushes, hair with edges tasseled gray. Toddlers scream out, "Higher!" Back and forth the seats are tolling, each describes an arc in air. Adults chat words that swing between them, talking solid food and potties, children's hair flips back as swings head down from zenith. Faces of those pushing could be ours, or our parents', or our children's thirty years from now. Lunar Energy I challenge the existence of the moon for the following reasons: She doesn't work regular hours I've never sifted her platinum dust in my hands She creates a barrier to important rockets She costs as much to maintain as the Acropolis I don't believe in her spongy gravity There's already a Man in the Moon The moon is too beautiful her color is too much like silk The poet Li Po drowned when he tried to kiss the moon in a drunken lake 8th century A.D. Some nights she looks so close so amazingly round that I feel I know her better than anyone else But the moon is too full she'll never feel for me Or sometimes she's such a pointy sliver she doesn't really count And she looks too good naked And the tides are lying to us And the moon won't fit in the gibbous belly of a woman But still I want that moon The Selfsame Planet At the Royal Prince Alfred Hospital in Sydney, Australia an intern named Rita watches a heartbeat translated into Northern Lights on a screen. She sees the transfusion hasn't yet stabilized room 613 down the hall. "Dear Nance," she writes, "you remember that doctor who kept circling me. I can't believe he keeps after me after I filled him in about Joe. He even confessed a wife and two sons. Why is it men think the least about the people who love them the most? Although it was my father who frantically drove around for hours one night and never caught up with my mother. Fidelity is a marathon I started training for right then. I shouldn't have unveiled to that doctor my idea on how light flicks on headaches but he was the only one who ever smiled at me like that when I told him about it." Meanwhile back in Iceland, a driver is working his truck up a steep valley, like a salmon. The landscape is so lunar the occasional green seems otherworldly as he makes his way toward Thingvellir. The driver-his name could be J-nas- pulls over and flicks open his lunch pail. Inside is a pad on which he jots down a poem he's been writing in his head: "I know I have no business loving you. I've plucked my life already from among the many possible as you've picked yours. They're good lives, better than anything I could encircle you with. But there is still a love, Birgitta, that only we can give each other and I can't let that out of my hands. In a way, you seem almost like my sister, our minds touch so close. As soon as we start talking even if it's been months, we tell each other truths we give to no one else. And when I look at your body I know what happens when lightning hits a lake. It fills the water till all of it glows." The Empty Seat I enter the train: it's long, skinny-a fluorescent light bulb. Every seat half-filled. I'm faced with a choice. Where to sit? Next to the person most like my mirror- beard, glasses, thin, what everyone expects- or the woman with earth-color skin whose ancestors were kidnapped to this land? Often I choose the unlikely just to reach out an invisible hand and rest it on a shoulder as the stations snap by. Today I find a seat mate whose body tells me she loves jewels of dark chocolate. As we near the end of the line the other riders drain out of the car. No one is left but a few in their bachelor seats, except me and the woman at my side eyeing me suspiciously. Now what to do? Give my seat mate more room so she can read her bestseller with its gold necklace of letters on the cover but possibly offend by abandoning her for an empty seat? Or should I stay by her side, both of us squirming at suddenly being as close as a couple reading in bed while stop after stop smudges by, neither of us willing to budge? Or peculiar, should I get up and make a pair with another solitary rider as we roll through ghost stations, kindling a conversation? Finally I decide to take a stand, and sit where I am, no matter how empty the train, or how many stops at the end of the world my seat mate and I have to go through together, or who gets off first. And when one of us is gone the other will finally breathe freely but still sense the empty seat © All Copyright, 1999, Zack Rogow. |
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