Langston Hughes

Classical Poet by Andrena Zawinski

USA
Langston (James Mercer) Hughes--prolific writer of novels, stories, 
plays, songs, children's verse, essays, articles, speeches--may be 
best loved for his poetry, poems that like a libretto sing with a 
range that carries far and clear across geographic, social, and 
racial boundaries.  The scenes and sentiments that lilt through 
his works have earned him the reputation of being the voice of the 
American Negro in contemporary literature. This is especially true 
for the time of the 1920's Harlem Renaissance's literary and artistic 
flowering in which his role was a prominent one.  That voice carried 
clear and far through the Depression and War torn decades on into 
the 1960's.  Hughes  came to be called the"O.Henry of Harlem" and 
the"Poet Laureate of Harlem."
	
Hughes' life began modestly in Joplin, Missouri in 1902. After his 
parents divorced, his father took him to Mexico, but he was raised 
in Topeka by a grandmother. He then moved to his mother in Lincoln, 
Illinois where he was formally educated at the University of Lincoln 
of PA.  He first started writing poetry in high school in Cleveland, 
studied later briefly at Columbia.  Langston Hughes was widely traveled:  
he went to Africa serving on a ship, worked in Paris, visited the U.S.S.R.,
 was a Baltimore news correspondent in Madrid during the Spanish Civil War.  
He even worked as a busboy in Washington, D.C. where he once left poems 
at the poet Vachel Lindsay's plate; and, as a result, Lindsay recognized 
his talent and helped publish him.  
        Langston Hughes moved in 1924 to Harlem where two years later 
The Weary Blues, his first book of poetry, was published.  The title 
piece is as relevant at the turn of this century now as it was then at 
its inception, a signature of music and message that dominates Hughes' 
body of work: a fusing of blues with jazz and folk rhythms meeting 
both a classical lyricism and the celebration of everyday dialectal 
speech of African Americans.
 
       THE WEARY BLUES 
      
       Droning a drowsy syncopated tune,
       Rocking back and forth to a mellow croon,
            I heard a Negro play.
       Down on Lenox Avenue the other night
       By the pale dull pallor of an old gas light
            He did a lazy sway . . .
            He did a lazy sway . . .
       To the tune o' those Weary Blues.
       With his ebony hands on each ivory key
       He made that poor piano moan with melody.
            O Blues!
       Swaying to and fro on his rickety stool
       He played that sad raggy tune like a musical fool.
            Sweet Blues!
       Coming from a black man's soul.
            O Blues!
       In a deep song voice with a melancholy tone
       I heard that Negro sing, that old piano moan--
            "Ain't got nobody in all this world,
              Ain't got nobody but ma self.
              I's gwine to quit ma frownin'
              And put ma troubles on the shelf."
       Thump, thump, thump, went his foot on the floor.
       He played a few chords then he sang some more--
            "I got the Weary Blues
              And I can't be satisfied.
              Got the Weary Blues
              And can't be satisfied--
              I ain't happy no mo'
              And I wish that I had died."
       And far into the night he crooned that tune.
       The stars went out and so did the moon.
       The singer stopped playing and went to bed
       While the Weary Blues echoed through his head.
       He slept like a rock or a man that's dead.
	

        Langston Hughes' first major publication, however, was five years earlier 
when at nineteen The Crisis, (edited by W.E.B. Du Bois and to whom he was 
introduced by his grandmother), published "The Negro Speaks of Rivers." 
Recent publication of that piece, which he actually wrote crossing the 
Mississippi River traveling south to visit his father in Mexico, became 
promotional material for the 1996 Dodge Poetry Festival in New Jersey.  
He is honored still as he should be.


  
       THE NEGRO SPEAKS OF RIVERS
      
       I've known rivers:
       I've known rivers ancient as the world and older than the
            flow of human blood in human veins.
       My soul has grown deep like the rivers.
       I bathed in the Euphrates when dawns were young.
       I built my hut near the Congo and it lulled me to sleep.
       I looked upon the Nile and raised the pyramids above it.
       I heard the singing of the Mississippi when Abe Lincoln 
            went down to New Orleans, and I've seen its muddy 
            bosom turn all golden in the sunset.
       I've known rivers:
       Ancient, dusky rivers.
       My soul has grown deep like the rivers.
     Politically astute and artistically sensitive, Hughes poems about 
America stand as documents of injustice and aspirations toward true 
democratic justice. They pulse across the pages of textbooks in America's  
classrooms today  in many of the very  cities where a young Hughes took 
his meager beginnings and developed rich inspirations that grappled 
with the defeats created by bigotry and hope for liberty:
        
 I, TOO, SING AMERICA
       
       I, too, sing America.
       I am the darker brother.
       They send me to eat in the kitchen
       When company comes,
       But I laugh,
       And eat well,
       And grow strong.
       Tomorrow,
       I'll be at the table
       When company comes.
       Nobody'll dare
       Say to me,
       "Eat in the kitchen,"
       Then.
       Besides, 
       They'll see how beautiful I am
       And be ashamed--
       I, too, am America.
                                                                                           
      
 LET AMERICA BE AMERICA AGAIN 
      
       Let America be America again.
       Let it be the dream it used to be.
       Let it be the pioneer on the plain
       Seeking a home where he himself is free.
       (America never was America to me.)
       Let America be the dream the dreamers dreamed--
       Let it be that great strong land of love
       Where never kings connive nor tyrants scheme
       That any man be crushed by one above.
       (It never was America to me.)
       O, let my land be a land where Liberty
       Is crowned with no false patriotic wreath,
       But opportunity is real, and life is free,
       Equality is in the air we breathe.
       (There's never been equality for me,
       Nor freedom in this "homeland of the free.")
       Say, who are you that mumbles in the dark? 
       And who are you that draws your veil across the stars?
       I am the poor white, fooled and pushed apart,
       I am the Negro bearing slavery's scars.
       I am the red man driven from the land,
       I am the immigrant clutching the hope I seek--
       And finding only the same old stupid plan
       Of dog eat dog, of mighty crush the weak.
       I am the young man, full of strength and hope,
       Tangled in that ancient endless chain
       Of profit, power, gain, of grab the land!
       Of grab the gold!  Of grab the ways of satisfying need!
       Of work the men!  Of take the pay!
       Of owning everything for one's own greed!
       I am the farmer, bondsman to the soil.
       I am the worker sold to the machine.
       I am the Negro, servant to you all.
       I am the people, humble, hungry, mean--
       Hungry yet today despite the dream.
       Beaten yet today--O, Pioneers!
       I am the man who never got ahead,
       The poorest worker bartered through the years.
       Yet I'm the one who dreamt our basic dream
       In the Old World while still a serf of kings,
       Who dreamt a dream so strong, so brave, so true,
       That even yet its mighty daring sings
       In every brick and stone, in every furrow turned
       That's made America the land it has become.
       O, I'm the man who sailed those early seas
       In search of what I meant to be my home--
       For I'm the one who left dark Ireland's shore,
       And Poland's plain, and England's grassy lea,
       And torn from Black Africa's strand I came
       To build a "homeland of the free."
       The free?
       Who said the free?  Not me?
       Surely not me?  The millions on relief today?
       The millions shot down when we strike?
       The millions who have nothing for our pay?
       For all the dreams we've dreamed
       And all the songs we've sung
       And all the hopes we've held
       And all the flags we've hung,
       The millions who have nothing for our pay--
       Except the dream that's almost dead today.
       O, let America be America again--
       The land that never has been yet--
       And yet must be--the land where every man is free.
       The land that's mine--the poor man's, Indian's, Negro's, ME--
       Who made America,
       Whose sweat and blood, whose faith and pain,
       Whose hand at the foundry, whose plow in the rain,
       Must bring back our mighty dream again.
       Sure, call me any ugly name you choose--
       The steel of freedom does not stain.
       From those who live like leeches on the people's lives,
       We must take back our land again,
       America!
       O, yes,
       I say it plain,
       America never was America to me,
       And yet I swear this oath--
       America will be!
       Out of the rack and ruin of our gangster death,
       The rape and rot of graft, and stealth, and lies,
       We, the people, must redeem
       The land, the mines, the plants, the rivers.
       The mountains and the endless plain--
       All, all the stretch of these great green states--
       And make America again!
	
     Langston Hughes lived a rich literary life from the time when his 
grandmother filled his head early on with stories of Frederick Douglass 
and Sojourner Truth and took him to hear Booker T. Washington speak, 
until he died a prolific writer at 67 in 1967 in a New York hospital.  
Langston Hughes leaves behind a legacy of lessons for black and white 
alike, ones alive that cry and dream and sing, as they should and as 
they will.
 
 POET TO BIGOT
I  have done so little
For you,
And you have done so little
For me,
That we have good reason
Never to agree.
I, however,
Have such meagre
Power,
Clutching at a 
Moment,
While you control
An hour.
But your hour is
A stone.
My Moment is
A flower.
DREAM VARIATIONS
       
       To fling my arms wide
       In some place of the sun,
       To whirl and to dance
       Till the white day is done.
       Then rest at cool evening
       Beneath a tall tree
       While night comes on gently,
           Dark like me--
       That is my dream!
       To fling my arms wide
       In the face of the sun,
       Dance!  Whirl!  Whirl!
       Till the quick day is done.
       Rest at pale evening . . .
       A tall, slim tree . . .
       Night coming tenderly
           Black like me.
																											Poetry by Langston Hughes: 
		 																						The Weary Blues, 1926 
                         Fine Clothes to the Jew, 1927 
                         Dear Lovely Death, 1931 
                         The Dream Keeper, (for children, 1932) 
                         Scottsboro Limited, (play and poems, 1932) 
                         Shakespeare in Harlem, 1942 
                         Freedom's Plow, 1943
                         Fields of Wonder, 1947 
                         One Way Ticket, 1949 
                         Montage of a Dream Deferred, 1951 
                         Selected Poems, 1959 
                         Ask Your Mama: Twelve Moods for Jazz, 1961 
                         Collected Poems of Langston Hughes, 1994

 

 

 

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