Dark Star
When the sun finally dies and
goes out
like a candle sputtering in a dark room
where an old man sleeps the sleep of the innocent
dreaming our lives for us,
And the wild animals have stopped
forever in their night-paths,
looking up at the stars growing brighter,
the moon cloven, the farm house dark,
the farm animals frozen where they huddled together,
And the cold face of the moon
stares down
at the woman forever leaning over her sleeping child,
the lovers forever locked in each other’s arms,
the boy forever at his desk, the curtains moving in a draft,
And the earth cracks open
disgorging all the names of the righteous,
and the dead begin to stir
hearing their names called from far away,
And the tides of darkness rise
carrying an empty ship into the city,
and the song that began in the beginning
begins again its final chorus,
Then God will take you into His
arms
and you will kiss His many faces,
and a crow will set out across emptiness,
its wing blackening stars.
Southside Slopes
Today my tall son leads us up the
Southside
slopes, winding through locust
and oak,
choke-cherry
thickets, my small daughter holding
my hand, my wife glancing
continually
over her shoulder at the blue city across
the river. Up a
crumbling shale cliff
we scramble, emerging on a sparse
grassy plain with rock out-
croppings. A trickle cuts across, trenching
the earth. Quick
hungry sparrows scatter at our approach. Nicholas shows
the rusted Chevy he’s
discovered, the seats
sprung, the axle snapped, the engine lying
half apart buried
in gravel. How
the car got to this strange meadow in the city is
a mystery, but here it is, like
us
beautifully out of its element. Yellow
forsythia blooms
out of reach
in the yards checkering the slope. The steel mill’s
empty windows stare
at the green spires of the orthodox
church. The
muscular
Monongahela pushes past the Salvation
Army store and the ruined
natatorium where
steelworkers once swam the soot
off their scorched
bodies. The early
spring sky opens large, cloudless as we head down
past the waterworks and the
monastery. Crisscrossed
by shadows under the railroad
bridge, Eva helps
Lea
into the weeds to pee. Nicholas and I
pretend not to know them. He toes
a dandelion growing between bricks. He is
changing in the
slow afternoon
light so rapidly, I barely know him.