Judy Kronenfeld
USA





Judy Kronenfeld is the author of three books of poetry and two chapbooks, most recently, Shimmer (WordTech Editions, 2012) and the second edition of Light Lowering in Diminished Sevenths (Antrim House, 2012) winner of the 2007 Litchfield Review Poetry Book Prize. She is also the author of a controversial critical study, King Lear and the Naked Truth  (Duke, 1998). Her poems have appeared widely in print and online journals  (such as American Poetry Journal, Avatar, Calyx, Cimarron Review, Connotation Press, Evansville Review, Hiram Poetry Review, Innisfree Poetry Journal, Natural Bridge, Poetry International, Portland Review, Sequestrum, Spoon River Poetry Review, and Women’s Review of Books) and in eighteen anthologies including Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease (Kent State, 2009), Before There Is Nowhere to Stand: Palestine/Israel: Poets Respond to the Struggle (Lost Horse, 2012), and Weatherings (Future Cycle, 2015). Her occasional stories and personal essays have appeared in Literary Mama and Under the Sun, among other journals. She is Lecturer Emerita, Department of Creative Writing, UC Riverside, and an Associate Editor of the online poetry journal, Poemeleon. Her new poetry collection, Dark Light Light Dark  is currently circulating.http://judykronenfeld.com  Amazon.com/author/judykronenfeld



The Withering of Their State
And all that believed were together, and had
all things common. Acts 2: 44

In the end they lose all
their chains and ghost and swirl
by each other in the closed
bubble of the "reminiscence"
wing like flakes of snow
in an upended souvenir globe.

In the end they wander in
the deserts of each other's
synonymous small rooms, 
their possessions winnowed
like so much chaff in a chill
breeze, sold by
beleaguered daughters, parted 
to Goodwill—the leavings squeezed
in with the new twin bed: one table,
one uneasy chair, the old TV
they have forgotten how to turn on.

And in the end no-one among them
lacks, for if one sits shivering
on the toilet, where the attendant
has deposited him, dreaming and
losing a dream of dry warmth
like a distant bell, the groaning wardrobe
of his roommate may yet open unto him.

And in the end the scales fall
from their eyes, and they fall asleep
in each other's chairs, and thine
is mine, and now is then, and mildly,
with the most gracious of oh?s,
they allow themselves to be
removed, guided away by their pliant
elbows, by those who still live
in the bordered world. 

First appeared in The  Women’s Review of Books; collected in Ghost Nurseries(Finishing Line, 2005) and then in Light Lowering in Diminished Sevenths, 2nd Edition (Antrim House, 2012).  

 

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