PoetryMagazine.com

Jamaal May

USA

Jamaal May is a poet, editor, and filmmaker from Detroit, MI where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His first collection of poems, Hum (Alice James Books, 2013), won the 2012 Beatrice Hawley Award. Winner of the 2013 Indiana Review Poetry Prize, his work also appears in journals such as POETRY, Ploughshares, the Believer, NER, and Kenyon Review. Jamaal has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He is founding editor of the Organic Weapon Arts Chapbook and Video Series (www.organicweaponarts.com).
 

 

 

Chionophobia

Fear of Snow
 
Fluttering ash dissolves on your brother’s tongue.
He thinks of you building a fort from snow
 
before you knew what forts were
and he could stand in your footprints
 
without touching the sides.
Can two snowflakes be the same
 
on a ghost-white street where enough gather
to construct faceless snowmen? In this desert,
 
sand blinds the way snow did back home.
Your brother patches holes
 
in men with names he can’t or won’t learn,
and wonders if, somehow, you are still here,
 
using an earthmover to pour sand
into foxholes. Do you still hear soldiers claw
 
at the shifting weight of their fresh graves,
or are there only silent arms and legs
 
in your dreams, bent like strange flowers?
Is the sun a flash grenade? This heat
 
is so heavy the fruit stands buckle and ripple
like mirages, but your brother shivers
 
remembering your mother’s shiver,           
the way she sank to the ground, heavy
 
with news, and your body comes home again.
Your bone-colored casket repeats 
 
its descent, sinks under the flag, and a thud
resounds. Fades. He still hears it.
 
The rub of your snow pants, the fallout
of snowball fights, every ice-ball slapping
 

 
garage, snowflakes dragged in circles
by wind, until they blur like a sandstorm—
 
he hears it all. Deafening like footfalls 
against the icy driveway, resonant
 
like your mother’s voice, calling
the wrong name—your name—again.

 

 

 

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